Book Reviews by Stephen Studach

The Terror

The Terror is an epic adventure, albeit a largely ice bound one. This from the pen of Dan Simmons who has, over the last twenty years or more brought us such fine books as the masterful Song of Kali (purportedly slated by the prime properties collector Darren Aronofsky as a future film project), the collection of short works Prayers to Broken Stones and the recommended Lovedeath composed of five novellas, among many other Horror, S.F., Fantasy and Crime Thriller books. Amongst his literary baggage Simmons also has a swag of awards packed away, sporting such familiar names as Stoker, Serling, Sturgeon.

Two of Her Majesty's exploration ships Erebus and Terror set forth in 1845 on an Arctic expedition to break the enigma of the rumoured North-West Passage.

It is an ill fated venture and, largely due to the expedition leader's hubris and stupidity, the ships become ice locked. The story spans the several years of this imprisonment.

Amongst and amidst the many hardships, dangers and perils of this situation for the one hundred plus men of the trapped expedition is an unknown life form. A huge beast that embodies frightening speed, monstrous power, and unearthly malice.

In his dedication Simmons basically thanks the cast and crew of the original The Thing From Another World. Therein lies a clear clue.

The writer gives us nicely detailed characterisation of a hefty list of characters. The historical details are incorporated with a minimum of fuss and almost no fanfare. The reality is gritty and true.

So, you're in awe of Dan Simmons, Mister King? Well maybe you have reason to be. Here demonstrated most ably: when Simmons brings in a big book, He delivers...

The Beast Within

The tall pine tree tops; bristling, waving fingers indicating the fulgent moon. There is a distant howling; picked up again and again in a nearing chorus. The chill air is perfumed with a melded musk of human and beast. The shadows growl . . .

That’s right, you’re in the country of the changed. Skinwalker-bound volumes are about to tell you their individual tales, inscribed with spattered blood, steaming gore, gnashing, foaming fangs and sweeping claws.

Lycanthropes, loup-garous, shapeshifters, Lycans, call them what you will, this is a tome dedicated to those who are hairy on the inside, those who have an argument with the moon on a regular basis. The Moon People. The Cursed Ones.

Though some may revel in such curse.

The werewolf has long been a favourite creature of mine from the black ark of the Horror pantheon.

Maybe it’s because of my affection for dogs? What percentage of cat lovers prefer vampires, I wonder?

Well, the appropriately named The Beast Within, from U.S. publishers Graveside Tales, gives us a bumper pack of twenty stories, 352 pages of transformations and werewolfery. It also holds an introduction by W.D. Gagliani and is dynamically illustrated, the cover and some interiors by the triple-threat editor.

I praised Joe Dante’s The Howling when it was released way back in 1980. The influence of it, and other, more recent, werewolf films is evident here of course, but variety is the central tenet of this anthology. Following The Howling (in which werewolves finally looked like werewolves) we had other fine werefilms such as Wolfen, An American Werewolf in London, The Company of Wolves, Wolf...

A Web of Black Widows

A Web of Black Widows is Showcase number 7 from Peter Crowther’s PS Publishing out of the U.K.

It holds six stories by the writer Scott William Carter and features cover art by Glenn Chadbourne.

Carter is an American writer from Oregon who has seen publication in Weird Tales, Analog, Asimov’s, Realms of Fantasy, Chiaroscuro, Ellery Queen, Fantasy Magazine and in a number of anthologies.

Straight off—there’s not a dud work here. Fresh writing with fresh ideas, all held together by clean lines. Each piece is very concise and displays the writer’s lean but imaginative style. In fact his works can sometimes be like a black widow spider; strange, beautiful, minimalist in design, and potentially dangerous.

To the stories:  "A Web of Black Widows" opens the collection. The longest tale of the half dozen, this story is given to us through the courses of several characters. It concerns itself with the decaying orbit of a marriage, the loss of a loved one, pregnancy, tattoos, and the great metaphor of the sea. A realistic work with a bare minimum of strange to lightly shade it. Quite engaging.

Still on a beach we are presented with "The Woman Coughed Up By The Sea." A good piece of flash. It called to mind Poe’s "The Oval Portrait," but only as a dim echo. This little tale is quite contemporary. It involves us, without ever giving us the whole story either of its living or its deceased characters.

"Black Lace and Salt Water" is a Mer fantasy that takes place, largely, on the Oregon coast. It shows the result of a poet’s encounter with the sea folk,...

Dark Animus 10/11

Here’s a grungy little roadside pump station and redneck hellbilly museum out in the back of beyond. You pull in, switch off, listen to the isolated, isolating silence. And as your car is ticking down in the subtly insect-chirping night, this guy in filthy overalls comes out. His name is Cain he tells you, and this surely could not bode well. The overalls are stained with grease and crimson and odd-smelling lube, and he’s got a funny little smile this guy, when he does smile, and black under his fingernails and when he slips that bowser nozzle into your uncapped tank it feels like abuse. A service molestation.

Something grubby pale and close to the ground waits, back in the shadows of the doorway the attendant emerged from. You think it may be a dog. A cur that has sniffed at and rubbed against geeks and freaks and two-headed everythings for too many years. Dark wisdom in the eyes above its whiskered muzzle. It grumbles and mumbles to itself.

This guy’s actually quite amiable and he won’t let you go until you come inside and visit his dingy old museum and view the exhibits therein. And you end up opening your boot and bringing out one of the preserved, jarred oddities that you travel with, to offer him. And he is happy to barter.

It’s been a long wait, but the double issue of pulp favourite Dark Animus has finally arrived, crawling from a convenient sewer opening and slithering its black- and red-flecked self into select postal boxes. Is it worth the wait and the close to twenty dollars you’ll be paying for its 160 pages?

Firmly bound, a vividly coloured cover somewhat reminiscent of the Oriental Tales of old. Thirteen stories, a couple of them novelette length, one a prizewinner, five by Australian authors, two by American pulp...

Engines of Desire

Engines of Desire by Livia Llewellyn

Reviewed by Stephen Studach

At this point in time there are more original writers in the speculative fiction genre finding print outlets than ever before. The reasons for this relate to population, the evolution of the imagination and the modes of publication. However, all that concerns us here is the fact that Livia Llewellyn is one whose words are worthy of attention.

I could not love except where Death
Was mingling his with Beauty’s breath—
Or Hymen, Time, and Destiny
Were stalking between her and me.

When the young Edgar Allan Poe composed those rather revealing lines, the areas of love, sex and all aspects of the sensual and the erotic were, as always, prime elements to be merged with the tale of horror. Having read Engines of Desire, Livia Llewellyn’s debut collection from Lethe Press, I can recommend her as another skilful proponent of the works of strange romance and deathly desire. Her often lush writing is informed via a deft mechanic working deep within the soft machinery. A place where Death’s out-take valve constantly sucks at the hot breaths of impassioned life, stealing the sighs of lovers, taking, but sometimes returning life in a bitter reflux.

Taking in Laird Barron’s introductory warning, we delve into some of the ten tales that make up this book; ranging from flash and short fiction to novelette and novella-length works.

“The head is pulp now, a sticky-dry mash of brain and bone slivers. The woman’s hair lies on the floor like silver-threaded silk, beaded with ivory teeth. Kingston admires it as she reaches down.”

Livia Llewellyn is a keen observer. “Horses” is a post-apocalypse bunker tale of horror, pain, fear and, yes, love;...

From Hell


Let me tell you about the best Graphic Novel that I've ever read. In fact at the time of reading it (June of 2001) it was the best horror work I'd read in five years.

A work of horror wherein horrible things actually happen.

How refreshing.

I had come to it late. From Hell was first, partially, serialised in the late eighties early nineties in the comic anthology Taboo.

Illustrated by Australia's own Eddie Campbell, this is a work of wicked genius, from the haunted hedge maze, arcane mind of Mister Alan Moore. The best of British horror grounded in a very British subject. Ghoul Britannia!

We will not here dwell upon the unique weirdness of British writers of the macabre. Suffice it to say that a long and noble lineage has brought us the modern product of dark fantasists like Ramsey Campbell, Clive Barker, Tanith Lee, Kim Newman, Michael Marshal Smith, Iain Sinclair and, of course, Alan Moore.

"Dark Business"

This tome is the last word in the Ripper story. It incorporates almost every known facet of Ripperology, and then some. And that's just in the appendix sections. The least of the organs therein.

From Hell takes fact and fiction and weaves them into an, at times, feverishly delirious extrapolation of the darkly fantastical.

From the very first frame the project's excellence is obvious. The raw, often chiaroscuro, artwork perfectly suits the story that it wants to inform us of, in grimy greys, foreboding blacks and blanched whites. Campbell has loaded his pen with old English darkness, soot and blood. The words are matched skilfully with the images, the whole neatly presented.

The book has a large and rolling cast. Within its pages you will meet...

Gift of the Bouda

“Most people think of Special Operations soldiers as cowboys; Rambo-types that bust through doors then kick ass and take names. There is an element of truth to that, but the violent actions on contact usually come after painstaking planning and exhaustive rehearsals; preparation that writes every movement you will make into a script of muscle memory. Success on the battlefield doesn’t just happen.”

“I glutted myself quickly in the open body cavity, as werewolves came to punish my trespass.”

“It was just the nightmare. I never ate my kid, or my wife, except in the nightmare, because I left before it could happen.”

Tales of Were creatures have been around at least since the days of the ancient Greeks. Though not as prevalent as the ranks of vampire and zombie stories, the shapeshifting genre is an interesting and rewarding realm to enter.

In the field (or forest) of werewolves alone, many classic works and treatments have been conceived.

So, what does Richard Farnsworth bring to the reader with Gift of the Bouda?

Automatic weapons, werewolves and werehyenas, a new kind of guerrilla war on terror.

“Special Forces owned the night.”

Wrong, in this instance.

The opening eight pages of the prologue set the trend.

Rapid fire with professionally detailed military action. You are there. Quite frankly this is a fun read. The story comes at you like a really good “B” movie, if “B” movies were really good which the majority, these days, are not. Full Eclipse comes to mind, the best scene of which was a brief shot in a zoo of a beautiful blue-eyed White Wolf. More recently, and closer to the mark here, there is the 2010 film Hyenas. The less said about that one the better. Most “Were” films fail to...

The Glass Woman

Once you purchase this collection and open the door of the cover and read, you will enter realms where a living glass woman is on display in a glass box, you’ll meet the Streamers/Screamers and the Bone-Dog. You can linger in "The Drawback" and marvel at a tidal giant. You’ll visit "Al’s Iso Bar" during a quest for a husband, meet those who work for the god of the love of money, journey through peculiarly skewed cultures occupied by people who are like us, but strangely different. You will briefly dwell in stories and character experiences that are akin to our own but just one step to the sinister side of the path. And there, you will find a thin trail, leading off into the greater dark.

Kaaron Warren has been a tale telling tour guide along such trails for close to twenty years now. She carries a uniquely magical lantern to illuminate her way, but she is sparing with it, will only light so much of the dark upon each tour.

Welcome to the weird and wonderful, darkly perverse, amazing universe of Kaaron Warren’s imagination.

I have been a fan of Warren’s writing since 1993 when I first experienced several of her stories.

Kaaron Warren honed her talent on the short story whetstone. For well over a decade she produced award winners and enduring works of the short and novelette form.

Of late she has become a published novelist. Angry Robot books initiating that phase of her career by giving her a three-book contract. The first of the three is Slights, already drawing much interest and acclaim.

There are at least five classics in this collection. Works that will stand in the ranks of the better examples of short genre writing for decades to...

Hannibal Rising

A brilliant read! Here is a lesson in how to construct a genre novel, an education in style and substance. The dark thriller as haiku.

Thomas Harris: for my money the score sheet should show that Red Dragon (1981) is the best book and The Silence of The Lambs (1991) the best filmed version of the books. Some have in hindsight lauded Manhunter (1986), the first Red Dragon film interpretation. But in comparison with Silence—you've got to be kidding. If you haven't already, read Red Dragon then check out the far-less-than satisfying film by the over hyped Michael Mann. The second cinematic attempt upon the first novel, Red Dragon (2002), also failed to embody the superlatives of the book.

After the excesses of Hannibal now this fourth book in the cycle arrives, in comparison almost out of nowhere and unheralded, in more than one way the polar opposite of the preceding tome. Hannibal is probably the least of the books to feature the good doctor but the most ballyhooed and the one that garnered the biggest prize financially for its author. That lucrative ground was set by The Silence of The Lambs, an engrossing book as well as the finest of the films featuring the gourmet doctor. Here now is Hannibal Rising, which does not shout or bluster, but speaks quietly and lyrically in a well modulated, slightly accented voice from a dark compartment of the psyche.

One should not compare these books really, for each is a quite different work. For me the most interesting component of the epic neo gothic horror comic of Hannibal was the hint of the terrible fate of Lecter's baby sister. Herein we have that fate recounted, our forebodings fully...


Every story is a ghost.

They are still, writers.

There are writers who are akin to ghosts. They may have extensive, respectable, large bodies of completed works, even have an honourable list of published pieces. Yet, they are insubstantial, these writers, these scribblers and their careers, their reputations, their achievements.

They have not been gifted by the golden light of discovery warm and radiant on their faces. Some will perpetually have shadows upon them, year after year after year, decade after decade, as torturing ambition slowly turns rancid.

They are still, writers.

Then there are writers like Chuck Palahniuk. One of those lucky few. Living the 'rock star' writer's life. Multiple book contracts, buoyed by generous advances, books-to-movies with wunderkind directors attached, anecdotes sprinkled with media celeb names, big dollar 'options', 'treatments', 'developments'. He certainly seems to be living thus. Yet, he too, is still a writer.

Chuck Palahniuk seems to be living a writer's life. As Dickens, De Maupassant, Hemingway, that other 'Literary Ambulance Driver' Maugham, Burroughs, even Ellison and Barker lived and live writers' lives.

No phantom he. And deservedly so.

Palahniuk is a prime, living, working example of a 21st Century writer making 21st Century writing.

Sure, it might not be 'Great Literature' but it is entertaining, engrossing and some of it may make you laugh out loud (if you like that kinda stuff).

It might be interesting to talk to Chuck Palahniuk. Maybe it would be like talking to a good bullshitter. Except more entertaining.

Palahniuk is an 'A' grade bullshit artist.

As any 'A' grade writer needs to be.

I came to Palahniuk (...